A) Andrea Gabrieli
B) Henry Purcell
C) Arcangelo Corelli
D) Claudio Monteverdi
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A) a recycling ostinato.
B) the polychoral sound of the early Baroque.
C) the homophonic texture of Palestrina's Pope Marcellus Mass.
D) the dance rhythms of the pavan in the Renaissance.
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A) Mass.
B) opera.
C) motet.
D) madrigal.
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A) two male sopranos.
B) one male soprano and one female soprano.
C) two female sopranos.
D) two females: a mezzo-soprano and a soprano.
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A) plucking mainly the low-pitched strings with his thumbs.
B) playing cascading melodies on the higher strings.
C) singing quietly along with the music.
D) playing dissonant notes.
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A) Mass
B) motet
C) madrigal
D) pavan
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A) the madrigal
B) the motet
C) the Mass
D) dance forms
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A) three repeated notes.
B) three repeated chords.
C) a theme that begins very slowly.
D) a theme that begins with long leaps followed by running sixteenth notes.
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A) a piece of music broken into several sections.
B) plainchant.
C) a small, perfectly shaped pearl.
D) a large, irregularly shaped pearl.
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A) "O, O magnum mysterium"
B) "et admirabile sacramentum"
C) "Alleluia"
D) closing "O, O magnum mysterium"
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A) dalle
B) tornerai
C) cor
D) divelle
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A) with sequences
B) with ornamentation
C) with a change in instrumental accompaniment
D) with paraphrasing in the lower voices
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A) arioso.
B) aria.
C) recitative.
D) alba.
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A) Giovanni Gabrieli.
B) Claudio Monteverdi.
C) Henry Purcell.
D) Girolamo Frescobaldi.
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A) word painting
B) imitative polyphonic texture
C) monophonic texture
D) declamation
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